THE DARJEELING LIMITED — THE CRITERION COLLECTION
Groupthink doesn't live here, critical thought does. This ad-free website is dedicated to Agnès Varda and to Luis Buñuel. Punk heart still beating.
Get cool rewards when you click on the button to pledge your support through Patreon.
Thanks a lot acorns!
Your kind generosity keeps the reviews coming!
Oh-so-precious-trust-fund director Wes Anderson ("The Life Aquatic With Steve Zissou") doesn’t so much make movies as he assembles a cast to work from slapdash "meta" scripts that result in self-congratulatory hodgepodges of cinematic expression.
Owen Wilson, Jason Schwartzman and Adrien Brody have the dubious honor of playing three estranged (and implausible) brothers that go on a soul-searching bitch fest across India with an unexplained number of goofy matching suitcases.
The male bonding occurs largely during a sleeper-car train ride aboard the "Darjeeling Limited" where the brothers’ individual quirks come into high relief. The youngest brother Francis (Wilson) wears a fresh bandage on his head and face to cover self-inflicted wounds he earned in a motorcycle crash.
Peter (Brody) struggles with the fact of his absent wife’s unwanted pregnancy, while eldest brother Jack (Schwartzman) quells his obsession over a former girlfriend by indulging in spontaneous sex with a train stewardess (Amara Karan).
The film’s over-pronounced theme of "healing" is put through so many artificial plot points that there isn’t any narrative oxygen to support it. "The Darjeeling Limited" is a dud where even its attempts at slapstick comedy fall flat.
Rated R. 91 mins.
Comments
You can follow this conversation by subscribing to the comment feed for this post.